2024 recipient of the Gottlieb Foundation Individual Artist Support Grant

2024 recipient of a New Jersey Individual Artist Grant


BIO

Val Sivilli is an artist often using printmaking as a vehicle for expanding the image potential of a painting or a narrative series. Born in Brooklyn, raised on Long Island, Val was a long-time assistant to the artworld couple Nancy Spero and Leon Golub before moving to the Delaware Valley in Northern New Jersey which she now calls her home. She holds an MFA from Mason Gross School of the Arts at Rutgers University and a BFA from SUNY Alfred after transferring from SUNY Purchase. An art educator, she has been an Adjunct Professor of Art since 1996. Once the director of the original Steamroller Gallery, an artist collective in Frenchtown, New Jersey she is a current member of the Steamroller Group, an artist collective working with the Hunterdon Art Museum to spearhead events that serve to forge connections between artists working in a rural environment. She is also a founding member of “THAT, The Hunterdon Art Tour”, a county wide tour of Hunterdon County’s Artist Studios. In an attempt to protect her artmaking practice from commercial influences, Val sometimes works under the moniker Civilian, a local graphic design and T-Shirt concern, to supplement her income from teaching and the occasional sale of a painting. Val tends not to stray too far from the banks of the Delaware River as it is her adopted home. You can often find her on the west coast of New Jersey playing the accordion somewhere.

ARTIST STATEMENT 2025

CURRICULUM VITAE

“I make paintings depicting tools, toys, feral beasts, and strong opinions with a nod toward expressive abstraction. Everyday objects become larger truths that serve as harbingers of an interior world beckoning provocative questions of the exterior world. By stitching the past into the present through the familiar, collective meaning transcends quotidian. I often use stencils and direct printing to facilitate repetition. It is in that repetition that familiar objects often become symbolic versions of themselves deepening their resonance, teasing out memory and calling on history to accentuate the connection between the political present through the personal past.”


WHY THIS OBSESSION WITH DIRECT PRINTING ?

Soon after the twin towers fell in 2001, I visited a small catholic chapel up on a hill in Lodi, NJ to get a good view of those 88 beams of light shining up from the ruins of the towers. The chapel was jammed with life sized replicas of the Shroud of Turin as well as a large selection of relics. Because I was raised as a Catholic, my personal history draws from that symbol system.

There was a huge amount of energy stored there. Memory is stored in revered places as well as in revered objects, bodies and bones. That visit had me thinking about the relic. It is life energy saved. Often, I incorporate this process into my paintings. Mostly because I don’t have a shower in my studio, I tend not to use my own body anymore. Through printing bones, deer carcasses, dead birds, tools, the human body, mostly mine but also animals and other people, that energy is stored in the resulting print.

Like a death mask or flowers drying between the leaves in a book or planting the placenta for a plant to grow, the presence of that object lives on through not only likeness but also intention. In the printing of each object or body, decisions are made to create narratives by varying the pressure of the hands, the quantity and viscosity of the inks and placement of the imagery.

VAL SIVILLI